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Re: REMY MARTIN AMERIQUE INC.; REMY AUSTRALIA LIMITED; DISTILLERIE RIUNITE DI
LIQUORE SpA REMY FINANCE BV and REMY BLASS and ASSOCIATES PTY. LTD
And: CARLTON WINES SPIRITS (AUST) PTY. LTD; CARLTON UNITED BREWERIES LIMITED
and JOHN CAWSEY AND CO (AUST) PTY. LTD.
No. V G82 of 1990
FED No. 51
Trade Practices - Contract
COURT
IN THE FEDERAL COURT OF AUSTRALIA
VICTORIA DISTRICT REGISTRY
GENERAL DIVISION
O'Loughlin J.(1)
CWDS
Trade Practices - passing off - misleading or deceptive conduct - rival
traders - respondents former distributor of applicants' product - material
difference in shapes of bottles - similarities in labels and get-up - state of
mind of respondents.
Contract - whether "landed cost plus carrying cost" vague and unenforceable
- whether the same constitutes a pricing formula.
HRNG
ADELAIDE
#DATE 19:2:1992
Counsel for the Applicants : Mr N. Young and Mr G. Clarke
Solicitors for the Applicants: Mallesons Stephen Jaques
Counsel for the Respondents : Mr A.C. Archibald QC and Mr D. Shavin
Solicitors for the Respondents: Corrs Australian Solicitors
ORDER
Applicants to file and serve short minutes of order.
All parties be at liberty to speak to the minutes of order.
The matter be listed for mention at 9.30 a.m. on Wednesday 4 March 1992 in
Melbourne.
NOTE Settlement and entry of orders is dealt with in Order 36 of the Federal
Court Rules.
JUDGE1
From about October 1989, the respondents - or one or other of them - have
manufactured and distributed their "Valentino" range of three liqueurs;
previously, the third named respondent, John Cawsey and Co (Aust) Pty. Ltd.
("Cawsey") had been the principle Australian distributor for the competing
"Galliano" brand. The applicants, having acquired the "Galliano" range of
liqueurs, have sued the respondents in these proceedings alleging (inter alia)
that the respondents have passed off their "Valentino" liqueurs as and for
"Galliano" products; they have also accused the respondents of breaching
various provisions of the Trade Practices Act 1974 (Cth) ("the TPA") and of
breaching an agreement to sell to the second named applicant Remy Australia
Limited ("RAL") Cawsey's stocks of "Galliano" products that were on hand on 30
June 1989.
2. During the course of the trial, the parties agreed that initially the
issues should be limited; accordingly, by consent, an order was made that the
trial of questions of liability arising on the pleadings be determined
separately. As a consequence, it was further agreed that issues of relief and
questions relating to damages and accounts of profits would, if they arose,
proceed at a later stage after publication of these reasons. The delay in
publication is a matter of regret. The litigants, believing that they had
settled their differences subsequent to judgment being reserved, passed a
message to my associate that it would not then be necessary for a judgment to
be written and published. Unfortunately, for reasons not known to me, the
matter did not "settle" and a request was made that I proceed to compile and
deliver my judgment. After a period of some five or six months it was a
matter of some difficulty to find the time necessary to re-read all the
written material and to compose my findings; I apologise to the parties and to
their representatives for my delay in the matter.
2. Events Prior to 1979
3. In 1979, the third named applicant, Distillerie Riunite Di Liquore SpA
("DRL"), a corporation established in accordance with the laws of Italy, was,
and had been for some time, the manufacturer of certain alcoholic liqueurs
known as "Liquore Galliano", "Sambuca from Galliano" and "Amaretto from
Galliano"; those three products are, in appropriate circumstances, referred to
in these reasons as the "Galliano" products or the "Galliano" range. DRL was,
in 1979, a subsidiary of Foremost McKesson Inc., as was "21" Brands Inc. - the
latter corporation being the international distributor of the "Galliano"
products.
4. It is relevant to these proceedings to explain the derivation of the word
"Galliano". Literature was tendered that told the story of Major Giuseppe
Galliano, an Italian soldier who was on active service in 1895 during the
Italian-Abyssinian campaign. The story of the Major's defence of the fortress
of Enda Jesus, near the ancient city of Makale, was and is, apparently, one of
immense national pride for Italians; it is said that "against all odds" he and
his small force held out for some 44 days against the advancing Abyssinians.
Because of this, the Italian Army was able to regroup and gain a tremendous
victory.
5. So great was this victory that Ditta Arturo Vaccari, a distiller from the
Italian port of Livorno, decided to commemorate the defence of the fortress in
such a way as would be remembered for generations to come. He immortalised
the gallant Major by creating a special liqueur which he named "Liquore
Galliano".
6. To emphasize the military and national aspects of the liqueur, the main
(front) label on the bottle of "Liquore Galliano" carries a depiction of an
edifice that is intended to represent the fortress of Enda Jesus whilst the
rear label carries a portrait of a 19th century army officer in full
ceremonial dress with a plumed headpiece in the Italian colours. The Italian
colours of green, white and red also dominate the neckband of the bottle. The
Italian connection is further strongly advanced by the endorsement, "Ditta
Arturo Vaccari", on the front label in gold, embossed, classical print
followed, on the next line, with the word "Livorno" similarly embossed. The
words, "Imported from Italy", are printed in ordinary type on the neckband of
the bottle and on the front label, the word "Italy" appears in ordinary type
immediately after the word "Livorno"; underneath that word there are
endorsements that the product is artificially coloured, that it is made and
bottled in Italy and, in bolder type, that it is "Produce of Italy". Thus
there is a strong and a dominating Italian influence and impact when close
regard is had to the visual presentation of the labels on the bottle of
"Liquore Galliano". One does not even need to know the story of Major
Galliano and Enda Jesus to come to that conclusion.
7. The stories of Sambuca and of Amaretto are neither so colourful nor so
interesting. It is said that both are generic names; the Oxford English
Dictionary, 2nd Ed. Vol.XIV page 427 includes as one of its sundry definitions
of Sambuca this description: "an Italian liqueur resembling anisette". The
rear label on the "Sambuca from Galliano" bottle claims that "Galliano blends
Anise from the exotic Orient and sunny Mediterranean shores to create a taste
worthy of topping off a fine meal". The evidence showed that Sambuca is a
popular liqueur; no less than eight sample bottles of Sambuca from different
manufacturers were tendered in evidence.
8. The rear label on the bottle of "Amaretto from Galliano" claims that it
has "the subtle taste of almonds glorified in an ancient recipe...". Another
product, "Amaretto di Saronno", was tendered in evidence (Exhibit A61); the
labelling on Exhibit A61 does not disclose the base ingredients of its
contents, claiming that "(i)ts taste is so elusive it cannot be described...
only enjoyed)". The label romantically claims that the particular liqueur
was "created about 1525 by a poor, beautiful young widow, as a gift to the
artist Bernardino Luini...". The evidence did not investigate the accuracy
of this statement.
9. Although "Sambuca from Galliano" and "Amaretto from Galliano" are later
additions to the range of "Galliano" products, the labelling for these two
liqueurs followed the established pattern for the labelling for "Liquore
Galliano". Thus the fortress is depicted on the front labels on each of these
bottles; they also carry, in the same type of lettering, the name "Ditta
Arturo Vaccari" and his place of origin, Livorno. The Italian colours
likewise appear in the seal on the neck of each bottle and the same references
to Italy as appear on the "Liquore Galliano" labels appear on the Sambuca and
Amaretto labels. In fact, the labels for all three products are virtually the
same save only for the individual names, the individual mix of colours and the
short dissertation about each of the liqueurs on the rear label.
10. As the mix of colours is a matter of importance, it is appropriate to
describe them at this stage. First, there is "Liquore Galliano". The colour
of the liquid is golden; it is complimented by a white label with a gold
border on which the word "Galliano" dominates. That word is preceded, in
smaller but similar print, by the word "Liquore". Both words are coloured
purple with a gold shadow or edging. Underneath them, in red, is the
depiction of the fortress with green surrounds (presumably grassy hills); but,
on the whole, the colour effect is purple and gold printing on a white label.
The Sambuca liquid is colourless and the base colour of its label is dark blue
with a silver border. The word "Sambuca" dominates the label in white with a
silver shadow or edging and silver and white are the colours that are used for
all other printing. The word "Galliano" appears immediately below but it is
not quite so prominent as "Sambuca" and not as prominent as the use of the
word "Galliano" on the bottle of "Liquore Galliano". The same red fortress
and green hills appear in the centre of the label but its strong colour effect
is white and silver printing on a dark blue label. Lastly, there is the
bottle of Amaretto; it is a brown liquid and it has a matching dark brown
label with a gold border. It also has the red fortress and green hills in the
centre. Its dominating word is "Amaretto" in white with a gold shadow or
edging; the word "Galliano", in similar colours, is underneath and replicates,
in position, size and effect, the same word on the Sambuca label. The balance
of the printing is either white with a gold shadow or plain gold. Its colour
effect is white and gold printing on a dark brown label. All three labels are
substantially rectangular.
11. The bottles used for the three "Galliano" products are identical. They
come in various sizes but one size is merely a proportionate increase or
decrease of another size. It is my finding that this particular bottle shape
is unique and distinctive. It is circular at its base and tapers
symmetrically to a thin circular neck. The bottle does not have a shoulder or
a curve in its lines; it is a very tall bottle. Senior counsel for the
respondents described the "Galliano" bottle, quite accurately in my opinion,
as having "an eccentricity of configuration". It will be necessary, in due
course, to return to bottle shapes and configurations and to labels and
get-ups.
12. The respondents admitted in their defence that as at 1 February 1979,
Foremost McKesson Inc. was the registered proprietor of the following
Australian Trade Marks, each in class 33:
"(a) A168,149, being a representation of an old fortress
against a setting of gently undulating hills beneath
the words 'LIQUORE GALLIANO' in ornate lettering;
(b) B300,281, being the word 'GALLIANO'."
13. The respondents also admitted that on the same date, Foremost McKesson
Inc. was the applicant for the registration in Australia of the following
Trade Marks, each in Class 33:
"(a) No. 319,353 made on 22 June 1978 being the words 'AMARETTO
DI GALLIANO';
(b) No. 319,382 made on 23 June 1978 being the words 'SAMBUCA DI
GALLIANO'."
14. The fact that the applications referred to the Italian "DI" whereas the
labels used the English "from" was not the subject of comment during the
course of the trial.
15. On 1 February 1979, Foremost McKesson Inc. entered into an agreement with
Cawsey. It was pleaded in paragraph 16 of the statement of claim that under
that agreement ("the 1979 agreement") Foremost McKesson Inc:
"...appointed Cawsey to be the licensee in Australia of the
said marks and granted to Cawsey the right to use those
marks on or in relation to such licensed products as Cawsey
with the approval of FMI imported into Australia."
16. Thereafter, and, as I find, as a consequence of the 1979 agreement,
Cawsey imported the "Galliano" products into Australia and distributed them
throughout the country.
3. The events of March 1989
17. On 9 March 1989, Foremost McKesson Inc. (which had, by then, changed its
name to McKesson Inc.) "sold" its interests in the "Galliano" products to the
Remy Martin group. So far as it may be relevant to these proceedings, the
following transactions should be noted:- first, McKesson Inc. assigned to the
first applicant Remy Martin Amerique Inc. ("RMA"), an American corporation,
the whole of its right, title and interest in and to the trade marks and all
other intellectual property rights in the words or names "Galliano", "Liquore
Galliano", "Sambuca di Galliano" and "Amaretto di Galliano"; twelve months
later, on 30 March 1990, RMA assigned all its right, title and interest in and
to those assets to a Dutch corporation, the fourth applicant, Remy Finance BV
("Remy Finance"). It was also pleaded (and admitted) that on 30 March 1990:
"...RMA assigned to Remy Finance all its rights and
obligations in all agency, distribution, marketing,
representation or other agreements between RMA and third
parties relating to the Galliano products."
18. Although not admitted on the pleadings, it is clear that at some time in
March 1989 the second applicant, RAL, was appointed "to be the Australian
importer of the Galliano products": (paragraph 22 of the statement of claim).
That was to become the first step towards supplanting Cawsey who had, until
then, enjoyed the role of principle distributor of "Galliano" products in
Australia since 1979. The last of the March 1989 transactions to which
reference need be made is that dealing with the fate of DRL. It was pleaded
and admitted that, with effect from 9 March 1989, DRL became a subsidiary of a
French corporation, Remy and Associes S.A.. The exact relationship between
Remy and Associes S.A. and the other corporations in the Remy Martin group is
somewhat blurred; it is probably sufficient to think of it as something akin
to a holding company (in paragraph 4 of the Statement of Claim it is described
as "the principal (sic) shareholder" in each of the first four named
applicants). The fifth applicant, Remy Blass and Associates Pty. Ltd., an
Australian company, is a subsidiary of the second applicant, RAL, another
Australian company.
4. The activities of the respondents in early 1989
19. The sale by McKesson Inc. of the "Galliano" products did not take Cawsey
by surprise. Mr Greig, who in 1989 was Cawsey's National Sales and Marketing
Manager, deposed in his affidavit of 28 June 1990 that "there were strong
rumours in the Australian liquor market place" in early 1989 that "the world
wide business relating to 'Galliano' products was to be sold to the Remy
Martin organisation". Mr Greig went on to say in paragraph 6 of his
affidavit:-
"I realised that if the Galliano business was sold to the Remy
Martin organisation then, because Remy Martin had its own
Australian distributor, Remy Martin Limited, that company would
become the Australian distributor of Galliano products."
20. This view was shared by the respondents' witness, Mr Walker who in 1989
was Cawsey's Finance Manager; it was also conveyed by Mr Greig to the
respondents' witness, Mr Martin, Cawsey's Product Manager. Cawsey's reaction
to the threat of the Remy Martin group entering the market is best summarised
in Mr Martin's affidavit of 28 June 1990.
"Mr Greig told me that he believed that if the company lost
the distribution rights to these products, there would be a
gap in the company's product range which it should take
steps to fill. Accordingly, he instructed me to work upon
the launch of a range of Italian style liqueurs that would
suitably replace the three products then being sourced from
Galliano."
Later in the same affidavit, Mr Martin went on to say -
"Mr Greig told me that the company had narrowed down the
name by which the range was to be promoted to one of two,
namely, 'Gallanto' or 'Valentino'. Of these, I preferred
the name 'Valentino' because, in my opinion, it was both
more readily distinguished from the Galliano names and, as
well, opened greater marketing possibilities to exploit a
'romantic' and 'Italian' theme. In about April or May 1989,
the company decided that the new range of products would be
released under the name 'Valentino'."
21. In his affidavit of the same date, Mr Greig referred to these and other
passages from Mr Martin's affidavit and confirmed that they accurately
recorded the events to which they related.
22. Mr Greig stated Cawsey's objectives quite clearly. In paragraph 9 of
his affidavit, he said:-
"I could see that there would be a gap in the product range
of John Cawsey and Company if the Galliano products were to be
distributed by another company and, as a result, it was
determined that we should produce products equivalent to the
Galliano range namely Liquore Galliano, Galliano Sambuca and
Galliano Amaretto."
23. To this end, he had given instructions to a technician to formulate a
product that tasted like "Liquore Galliano; he received a satisfactory sample
as early as February 1989.
24. Mr Greig also said in the same affidavit (paragraph 12) that it was his
opinion that:-
"... the Galliano range of products had a substantial
Italian influence and I believed that the new range of
products to be produced by John Cawsey and Company would also
need to reflect that Italian influence. This is
particularly so because the Sambuca product was growing in
popularity in Australia and Sambuca and Amaretto are
distinctly Italian products. If the merchandising and
get-up surrounding the new products was not Italian I believed
that the new product range would not get anywhere."
25. According to Mr Greig (paragraph 10 of his affidavit) he wanted "a bottle
and package that would be different from that of the Galliano products". It
was his belief that the tall elongated "Galliano" bottle was the most
distinctive feature of the "Galliano" range; he expressed the belief that
"most people identify Galliano products by the bottle shape".
26. Mr Martin's task was to develop the labelling and marketing of Cawsey's
new products ("the 'Valentino' products"). It will be necessary to return to
the subject of labelling in due course but it is convenient, at this stage, to
address and dispose of the subject of the bottle used by Cawsey for the
"Valentino" products; it is completely different from the "Galliano" bottle.
It is as fat and squat as the other is tall and elegant. It has a pronounced
"shoulder" and a neck that is, when compared with its body, thin. I find that
no one could possibly confuse the two bottles in any circumstances.
27. Just as it was relevant to explain the history of the word "Galliano", so
also something should be said of the evidence relating to the name
"Valentino"; it came from the applicants' witness, Mr John Hinde, the well
known journalist and film critic. In his affidavit that was sworn on 29 March
1990, Mr Hinde told briefly of the story of Rudolph Valentino. It appears
that Valentino was born in Italy in 1895 and that he went to the United States
at the age of 18. After spending a short time as a dancer on Broadway,
Valentino ultimately settled in Hollywood where he quickly achieved stardom in
the silent film "The Four Horsemen of the Apocalypse". This film was followed
with the release of the film called "The Sheik". According to Mr Hinde that
film is the one for which Valentino is best remembered. Mr Hinde then quoted
the following extract from the International Film Encyclopedia by Ephraim
Katz:
"Darkly handsome and solidly built yet lithe, Valentino
moved gracefully and gazed at his heroines with a mixture of
passion and melancholy that sent chills down female spines.
To the American woman he represented a symbol of mysterious,
forbidden eroticism, a vicarious fullfilment of dreams of
illicit love and inhibited (sic) passions. But male
audiences found his acting ludicrous, his manner foppish,
and his screen character effeminate. Nevertheless, the
Valentino craze reached new heights with The Sheik (1921),
at Paramount. During the film's exhibition woman fainted in
the aisles and Arab motifs began to infiltrate fashions and
interior design."
28. The respondents sought to create a relationship between Valentino, the
actor, and their products in several ways. In addition to the choice of the
name, the rear label on each bottle contained a head and shoulders portrait of
a man with an Arabian headdress - the so called "Sheik" - whilst the
advertising and promotional material for the new range of liqueurs referred,
heavily and constantly to "The Great Latin Lover"; (see, for example,
Exs.A17, A21, A22 and A28).
29. The case for the respondents was to the effect that their choice of name
- "Valentino" - and their method of presentation - e.g. "The Great Latin
Lover" - were intended to give their products an association or connection
with Italy. This, of course, was literally untrue: there was nothing
whatsoever "Italian" about the "Valentino" range of products. In addition,
even though much of the respondents' promotional and advertising material was
tendered in evidence, the applicants' attack has been directed to the
labelling on and the get-up of the respondents' bottles - and the term "The
Great Latin Lover" does not appear anywhere on the bottles.
30. Thus it can be seen that long before their distributorship was cancelled,
and while they were still representing the "Galliano" products in Australia,
Cawsey was using its knowledge and resources to prepare a range of products
for ultimate competition in the market place with their principal. In fact,
their marketing plan for the "Valentino" products, which was compiled prior
to the termination of their distributorship, called for a so-called "hit-list"
of the 100 largest Cawsey's customers of "Galliano" products.
5. The events of April 1989
31. Having acquired the "Galliano" products, the Remy Martin group decided,
predictably, to have its own Australian distributor. It was the case for the
applicants that on 6 April 1989 a meeting took place involving Messrs Terrio
and Church who represented the applicants and Messrs Brady and Walker who
represented the respondents. I find that this meeting was convened by the
applicants; I also find that the representatives of the respondents did not
tell the applicants at the meeting or at any relevant time thereafter that
they were working towards the production of a competing range of liqueurs.
The applicants claimed that at that meeting a notice was given to the
respondents' representatives that had the effect of cancelling the 1979
Agreement upon the expiration of 30 days. Whether the notice had that effect
or not is unimportant because of the applicants' further claim that an oral
agreement ("the 1989 agreement") was made at that same meeting. As pleaded in
paragraph 24 of the statement of claim, the applicants' case was that it was
agreed that -
"(a) RAL would not commence to distribute the Galliano products
in Australia until 1 July 1989;
(b) Cawsey would continue to distribute the Galliano products in
Australia, and to do so making use of the said marks, until
30 June 1989 only, and only for the purpose of disposing of
its existing inventory;
(c) any remaining inventory as at 30 June 1989 would then be
sold by Cawsey to RAL at landed cost plus carrying cost, and
RAL would purchase that inventory accordingly;
(d) Cawsey would supply to RAL -
(i) 'full depletion', that is to say, details of
sales actually made into the Australian market;
(ii) point of sales data;
(iii) details of past promotions of the Galliano brand;
(iv) sales contest data; and
(e) Cawsey would not, after 30 June 1989, distribute or (save to
RAL as provided above) sell any of the Galliano products,
nor use any of the said marks."
32. The respondents denied that any such agreement was made; they admitted
that on or about 6 April "discussions were held between representatives of
Cawsey on the one part and RMA and RAL of the other part" but it was their
case that those discussions "did not result in a final agreement": (paragraph
24 of the defence). It will be necessary, in due course, to make a close
examination of the evidence for the purpose of determining what (if any)
bargains were struck at that meeting.
6. The events of June-October 1989
33. It was pleaded and admitted that on or about 15 June 1989, the second
respondent Carlton and United Breweries Limited ("CUB") applied to register in
Australia various trade marks in Class 33 of the Register in respect of
alcoholic beverages, including liqueurs. They were described in paragraph 30
of the statement of claim as follows:
"App. No. 512901 A label in respect of 'Amaretto Liqueur
from Valentino' including a representation
of an old fortress;
App. No. 512902 A label in respect of 'Sambuca Liqueur
from Valentino' including a representation
of an old fortress;
App. No. 512904 'Rudolph Valentino';
App. No. 512905 A label in respect of 'Valentino Liqueur'
including a representation of an old
fortress; and
App. No. 522634 'The Harvey Wallbanger Liqueur'."
34. It was further claimed by the applicants that, as from about October
1989, the respondents "in concert" commenced to manufacture, promote,
advertise, market, distribute, sell and supply three liqueurs called
"Valentino Liqueur", "Sambuca Liqueur from Valentino" and "Amaretto Liqueur
from Valentino"; these three products are the "Valentino" products to which
reference has already been made. The respondents have admitted these
allegations, save that they have identified the first respondent, Carlton Wine
and Spirits (Aust) Pty. Ltd. ("Carlton Wine and Spirits") as the party who
sold and supplied the new range of liqueurs.
7. The claims of the Applicants
35. The applicants mounted five separate, but closely connected, claims
against the respondents in their statement of claim. First, it was said that,
in breach of the 1989 agreement, Cawsey refused to sell to RAL its inventory
of "Galliano" stock that remained on hand at 30 June 1989 and that Cawsey,
instead, continued thereafter to distribute and sell "Galliano" products from
its inventory in Australia. Secondly, it was claimed that the continuing
conduct of Cawsey, in selling and distributing the "Galliano" products after
30 June 1989, amounted to infringements of the applicants' trade marks;
however that allegation was withdrawn at trial.
36. The remaining three claims were claims of passing off, misleading and
deceptive conduct and unconscionable conduct; they were based on numerous
allegations, the general effect of which was that the respondents had falsely
represented that the "Valentino" products had the sponsorship or approval of
the manufacturers of the "Galliano" products, that they came from a source or
origin that was connected or associated with, or related to, the source or
origin of "Galliano" products, that they were manufactured by and had emanated
from a long established manufacturer of liqueurs, that they were Italian in
origin or otherwise closely associated with Italy and that they were also
closely associated with the late Rudolph Valentino and the fashion house of
Valentino.
37. The applicants also pleaded (inter alia) that the respondents falsely
represented that "Valentino" liqueur was "the well-known Harvey Wallbanger
liqueur". As to this, the respondents replied positively in paragraph 35 of
their defence:
"Valentino Liqueur has characteristics and is of a quality,
standard and composition that makes it the ideal liqueur for
Harvey Wallbanger cocktails and in advertising, promoting,
marketing, distributing, selling and supplying the Valentino
products, Carlton Wines and Spirits so represented it. Save
as aforesaid, they deny each and every allegation contained
in paragraph 35 thereof."
8. The witnesses for the applicants and the evidence adduced on behalf of
the applicants
38. Three witnesses were called on behalf of the applicants. They were Mr
Terrio the Managing Director of the second applicant, RAL, and Mr Church, the
Financial Controller of the fifth applicant, Remy Blass and Associates Pty.
Ltd. (a wholly owned subsidiary of RAL). The evidence of both men was
directed, in the main, to the matters that were discussed at the meeting of 6
April 1989 with Messrs Brady and Walker and to their respective understandings
of some of the terms allegedly used at that meeting. The third and final
witness called on behalf of the applicants was Mr Druse who, since January
1990, has been the Director of Marketing for RAL. The purpose of his evidence
was to give general background information about the liquor trade, the history
of "Galliano" products and his observations about the "Valentino" products. In
addition, promotional, advertising and other materials dealing with
"Valentino" products were tendered through Mr Druse.
39. Each of these men impressed me as a witness of truth. I believe that
each of them gave his evidence to the best of his ability and to the best of
his recollection. Where their evidence or the evidence of one of them is in
conflict with the evidence of a witness for the respondents, I accept their
evidence in preference to that proferred on behalf of the respondents; my
reasons for coming to that conclusion will, I believe, become apparent when I
discuss the evidence that was led on behalf of the respondents.
40. In addition to the affidavits and oral evidence of the three witnesses to
whom I have just referred, affidavits from other parties were read as part of
the applicants' case. I have already made reference to the affidavit of Mr
Hinde; in addition other deponents referred to observations made by them with
respect to the location of "Galliano" products and "Valentino" products in
liquor stores, to various purchases that they made and to particulars of
comparative prices. Through those deponents, photographs of liquor stores
were tendered in evidence showing how "Galliano" and "Valentino" products were
displayed for sale to the buying public.
41. The applicants read the affidavit of Mr Van Beemen a director of a
company that claimed ownership of the mark "Valentino" in its application to
ladies' fashions. Mr Van Beemen said that his company had no association with
Cawsey and that it had not agreed to support the use of the name "Valentino"
with respect to the supply of liqueurs. There was no other evidence to suggest
any association or, indeed, any confusion between the use by Cawsey of the
name "Valentino" and its usage in the ladies' fashion market and I put to one
side the affidavit of Mr Van Beemen. I did not obtain any assistance from
the affidavit evidence of Dr. Baxter, a chemist who analysed the various
"Galliano" and "Valentino" products, nor from the evidence of Mr Vitali, a
Restaurantuer who deposed to an occasion when, having ordered a stock of
"Liquore Galliano" from Cawsey, he was supplied with "Valentino" liqueur.
9. The witnesses for the respondents and the evidence adduced on behalf of
the respondents.
42. In his opening address (p 227) senior counsel for the respondents
submitted that the respondents, as was their right, set out to put into the
market place a range of three liqueurs in competition with the "Galliano"
range. I agree that they were entitled to compete; but this case deals not
with their right to compete but with the consequences of the manner in which
the respondents chose to compete. The respondents denied that they set out to
duplicate the "Galliano" range; their claim was that they were aiming "to
market products in the three best-known categories of Italian products": (the
evidence of Mr Greig at p 254).
43. In addition to some affidavit material which, as events transpired, was
of no great significance, four witnesses gave evidence on behalf of the
respondents. The first of them was Mr P.B. Sampson, a freelance graphic
designer; then followed Mr Martin, Cawsey's Product Manager, who had been
given the task of working upon the launch of the "Valentino" products and who
had the responsibility for label design, Mr Greig who appeared to be Mr
Martin's immediate superior and Mr Walker who had attended with Mr Brady at
the meeting with Messrs Terrio and Church on 6 April 1989. Mr Brady was not
called by the respondents. I know nothing of him other than his employment
with the respondents ceased on the next day. As the applicants made no point
about his absence as a witness, I take the matter no further.
44. I refer first to the evidence of Mr Sampson. In his affidavit of 12
November 1990 he said that he received a telephone call from Mr Martin "during
the early part of 1989". They met and Mr Martin gave him a "brief" to "come
up with a product label design that would be consistent with the appeal of the
Galliano range of products": (paragraph 3). When questioned about "the brief"
that Mr Martin had given him, Mr Sampson agreed in cross-examination, that at
an early stage, Mr Martin had given him some labelled "Galliano" bottles
"relating to each of the three Galliano products" (p 162). He also agreed
that Mr Martin gave him a sample of the proposed "Valentino" bottle and told
him that Cawsey believed that "they would soon lose the distributorship" (p
162). He was then asked:
"Yes. And, did he tell you that they wished to produce an
equivalent range of liqueurs to retain the consumer base
that they had formerly sold Galliano to?... Yes, he did.
And he told you that they wanted to produce the same three
range of liqueurs as Galliano had produced?... Yes, he did.
...
Yes. Did he tell you that he wanted the labelling and get
up for the new range to be identifiable with the Galliano
range of products?... Not in those words, no.
But words to that effect?... Yes." (pp 162-163)
45. Mr Sampson also said in evidence that Mr Martin told him that the
"Valentino" labels were to be consistent "across the range". This meant that
each of the three "Valentino" bottles - like the three "Galliano" bottles, -
"was to be a variation on a theme in terms of labelling". According to Mr
Sampson, not only did Mr Martin say that the labelling was to be "distinctly
Italian", he wanted the labelling to suggest that the product was Italian: he
wanted it "to look like it is an imported product": (p 166).
46. Nevertheless, Mr Sampson maintained that he had not been instructed by
Cawsey to copy any of the "Galliano" labels and he further claimed that he had
not copied any such labels. Mr Sampson denied that his objective "was to
create the same overall impression", claiming that he set out to obtain "a
similar feel" (p 173).
47. In paragraph 5 of his affidavit Mr Sampson said that "rough mock-up
labels" were delivered to Cawsey within 48 hours of his original instructions
and that those first mock-up labels included the graphic design of two rolling
hills with a sun rising. According to Mr Sampson, Mr Martin was "not
particularly pleased" with this design. Mr Martin wanted something "a little
more creative", something that was "more Italian in style and feel".
48. Mr Sampson then continued in paragraph 6 of his affidavit in these
terms:
"He '(Mr Martin)' referred to the graphic on the Galliano
labels and observed that the graphic on those labels was
supposed to be a fort of some kind although most consumers
would not recognise it as such. He therefore suggested to
me that what we should consider putting on the label was
something which a consumer would readily regard as having
some meaning and he suggested that we have a castle forming
the centrepiece of the graphic design on the label."
49. In cross-examination, counsel for the applicants referred to this passage
asking Mr Sampson these questions:
"Well, what is the meaning that the castle has if
incorporated on the label that makes it preferable to having
a design of rolling hills and a rising sun on the label?...
Possibly making it more Italian.
Yes?... And giving it more individuality.
Yes, and how does it make it more Italian other than
mimicking the fort on the Galliano labels?... Well,
Australia is not renowned for its forts and castles, and it
is a European tradition, is it not? So that was the line of
thinking.
Yes, and in suggesting a castle, Mr Martin drew your
attention to the fort that appeared on the Galliano labels,
did he not?... No. No, we were trying to have an individual
graphic.
Yes, well, what I have just put to you was the substance of
what you put in the paragraph, is it not? Mr Martin
referred to the graphic on the Galliano labels, observed
that the graphic on those labels was supposed to be a fort
of some kind, skipping a few words:
He therefore suggested to me that what we should
consider putting on the label was something
which a consumer would readily regard as having
some meaning, and he suggested that we have a castle.
?...Yes, that is right.
He was suggesting that you adopt a graphic that, in a
general way, resembles that which appeared on the Galliano,
was it not?... No, it was to make it more Italian. Not to
make it like the Galliano label.
Yes. Well, to make it more Italian because a well known
Italian product was marketed with a fort on its label?...
No, no. It was because castles and things like that are -
as I said before, they are in the European tradition. They
are from the European background. It gives it that
authenticity, if you like, or trying to get that authenticity.
Trying to suggest the product originates in Europe?...Yes,
in Italy.
Yes?... Yes.
Specifically in Italy in this case?... Yes." (pp 169-170)
50. I reject this passage of Mr Sampson's evidence. On most subjects I
believe that he gave his evidence to the best of his ability; but on this
subject, I have come to the conclusion that he felt, notwithstanding his
protestations to the contrary, that the insertion of the fortress on the
"Valentino" labels would either constitute copying the "Galliano" labels or,
at least, amount to an attempt to create an association or connection between
the "Valentino" labels and products and the "Galliano" labels and products. I
will return to this subject at a later stage.
51. Mr Sampson prepared a second design for the mock-up labels; he replaced
the rolling hills and rising sun with a castle graphic. He also included, at
Mr Martin's suggestion, the "coat of arms" that Cawsey had, from time to time,
used on other of its products. But Mr Martin was still not satisfied; he next
wanted an endorsement on the "Valentino Liquor" label to the effect that it
was "Ideal for Harvey Wallbangers".
52. Evidence was led and documents were tendered that established that a
"Harvey Wallbanger" was a cocktail that had traditionally been made with
"Liquore Galliano"; but it was not suggested that the applicants had any
proprietary or other rights to the name "Harvey Wallbanger" or to its recipe.
On the other hand it was argued, and I accept, that there was a well
established connection between that name and "Liquore Galliano". I also find
that the respondents were well aware of that connection and I regard the
deliberate insertion of this endorsement as another example of the
respondents' attempts to create an association or connection between their
products and the "Galliano" range.
53. According to Mr Sampson, Mr Martin was still not satisfied with the
labels. He next said that the neckband of the bottle should be "evocative of
the Italian flag", and suggested at a later stage, the insertion of the words
"In the Italian Tradition" within the neckband. In addition to the many other
matters that were the subject of specific directions by Mr Martin, Mr Sampson
also agreed that the colours to be used on the labels were dictated by Mr
Martin. Finally, it was specifically put to Mr Sampson:-
"Q. Well, as near as you can achieve, the original
conception which was implemented was that the colours
on each of the three Valentino labels should, as
nearly as you could, match the colours on the
corresponding Galliano label?... Yes." (p 172)
54. I turn next to the evidence of Mr Martin. On the subjects of motivation
and intention, I have no faith in what he said. I have formed the opinion
that his approach to his task was to devise a range of products and so promote
them that they would not merely compete with, but would copy, the "Galliano"
range and be passed off as, or as connected or associated with, the "Galliano"
products. To do this, he was prepared to go as far as he thought might be
legally safe in copying the "Galliano" range.
55. On the subject of the composition of the "Valentino" labels, he sought in
evidence to distance himself from the end result, saying:
"I cannot recall exactly what directions I gave Mr Sampson,
I try to avoid giving too many to creative people at that
stage other than the broad parameters of which they have to
operate in." (p 308)
56. That passage was quite untruthful; it was not only contrary to the
evidence of Mr Sampson, it was also contrary to Mr Martin's own answers to a
series of questions that were then put to him. He was forced to concede, for
example, that the colours of the Italian flag and the endorsement "In the
Italian tradition" were incorporated on his instructions. He agreed that he
gave Mr Sampson the caption that appears in each of the rear labels - "Capture
the essence of Italy in this fine Valentino liqueur...." On the other hand he
refused to acknowledge that he directed Mr Sampson to include a fort on the
label and he denied that he dictated the colour schemes. On the subject of
colours, he said that he knew that Mr Sampson was producing labels that were
"extremely close in colour background to the Galliano product" (p 310). When
asked whether that was what he wanted, he replied:
"No, that is not what I originally wanted but it satisfied
the parameters of the brief."
57. I reject Mr Martin's evidence on these two subjects. I accept Mr
Sampson when he says that the idea of a fortress or a castle was Mr Martin's.
I am also satisfied that Mr Martin had a direct involvement in the colour
schemes of the labels. I accept Mr Sampson's evidence on this subject in
preference to Mr Martin.
58. The next witness to be considered is Mr Greig. In his affidavit sworn on
28 June 1990, Mr Greig challenged certain of the opinions expressed by Mr
Druse about the principal characteristics of the "Galliano" get-up. For
example, Mr Druse thought that "the colour and colour separation of the
labels" and "the logo of the castle which appears on each label" were two such
characteristics (paragraph 12 of his affidavit sworn 28 March 1990). As to
this, Mr Greig said in paragraph 30 of his affidavit:
"... the colours and get up of the Galliano labels are not
distinctive..."